I started to wonder who he would put in hell if he was writing today. This may be a pointless exercise; I'm not sure. But I don't mean it out of any malice, so I don't think there is any harm. Looking back on recent art history (Dante has several artists in Purgatory on their way up to Paradise) I thought about Picasso as a colossal figure whose ego would demand that he be mentioned in a work like The Comedy. Knowing some of Picasso's biography, I think it is safe to assume Dante would have assigned him to hell.
While he would probably have landed in the circle of the lustful and their blowing winds, I put him down with the wrathful. Not because he was a particularly angry guy (I guess), but because I used Eugene Delacroix's Barque of Dante as my model.
I began this piece as a watercolor but soon became dissatisfied with the bland colors and flatness of the piece. I liked the drawing aspect of it and wanted to rescue that from mediocre painting.
I painted over the whole thing with oils. I didn't really add anything except the flaming city of Dis in the background. I switched up some colors and juiced everything for the electrifying spectacle seen below.
There's a lot going on here and I will talk about the content of this picture next time in part 2 of Picasso in Hell.
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